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Blind Memory: Visual Representations of Slavery in England and America 1780-1865, by Marcus Wood
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Throughout this important volume, the author underscores two vital themes: one, that visual presentation of slavery in England and America has been utterly dishonest to its subject, and the other a meditation on whether the ruptures of the slave experience - middle passage, bondage, and torture -- can be adequately represented and remembered.
- Sales Rank: #1992649 in Books
- Published on: 2000-06-24
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 6.75" w x 1.00" l, 2.00 pounds
- Binding: Paperback
- 341 pages
From Library Journal
This is an erudite yet remarkably engaging examination of the visual representation of slavery in Europe and North America in the late 18th and early 19th centuries. Wood (English, Sussex Univ., UK) includes a variety of materials, ranging from sophisticated oil paintings to crude woodcuts, based on their influence, popularity, and longevity. Many of the illustrations will be familiar, but Wood does not assume that they speak for themselves and examines them in a new light. He addresses the semiotic codes used to represent slavery and explains how they came to symbolize cultural memory. This study focuses on four areas: the middle passage, the iconography of slave escape, Uncle Tom's Cabin, and the torture and punishment of slaves. It does not include images of slave rebellion, day-to-day slave life, the slave trade itself, or emancipation. The images are both compelling and repulsive in their exploration of how memory is organized and visually depicted. An excellent bibliography further enhances this groundbreaking work. Very highly recommended for academic collections.DDaniel Liestman, Kansas State Univ. Lib., Manhattan
Copyright 2000 Reed Business Information, Inc.
Review
"A masterpiece.the scope of the work and the quality of its execution are nothing short of breathtaking." -- Adam Ashforth, City University of New York
About the Author
Marcus Wood is Senior Lecturer in the Department of English and American Studies at the University of Sussex. His previous works include Radical Satire and Print Culture 1790-1820.
Most helpful customer reviews
5 of 5 people found the following review helpful.
Why Slavery Matters.
By James Wagstaff
Throughout this book, Wood stresses the fact that there is absolutely no way to truly apreciate the severity of slavery through recollection, but that it is important to try. It is important to understand just how widespread the phenomenon was, and how this tragedy in human history still resonates loudly within our psyches. One major point of the book is how populations who had been heavily involved in the slave trade, starting with the British and extending to the US North, began to sugar-coat their involvement by airing opinions of moral superiority over others. The best and most famous example being Harriet Beecher Stowe's "Uncle Tom's Cabin", where Africans who were enslaved actually end up better off than their free African counterparts due to the fact that they become Christian. The slaves were redeemed through their brush with western cutlure (ie slavery). Other examples of visual evidence include the middle passage slave ship diagrams, runaway slave reward notices, inhuman iron helmets and shackles. Each area examined is brought to life by Wood's seemingly unending arsenal of background information and nontrivial ties to art history.
The book's real strength lies in how it can in fact bring the reality of slavery back, to confront western culture with it as something that still lingers, but with an almost Freudian degree of mass-denial. Slavery in the US existed longer than it hasn't, the economic ripple-effect alone should be self-evident. We are still in the wake of this dark era in our culture; Wood puts us on the therapist's couch and makes us remember, rather than suppress, these memories.
3 of 5 people found the following review helpful.
Woodcuts, paintings, diaries, short stories and artifacts
By Midwest Book Review
Dozens of images of archives across Britain and North America on Atlantic slavery are presented in Blind Memory, which provides an artful blend of images and words reflecting 19th century Afro-American slave experiences. Woodcuts, paintings, diaries, short stories and artifacts are examined in this study of visual representations of slavery.
1 of 2 people found the following review helpful.
this book is SWEET!!!
By M. Melton
this book is incredibly interesting and engaging. Wood is insightful and it is not at all tedious to read. it was throught-provoking and i actually looked forward to reading it. plus, he's a really cool guy.
See all 3 customer reviews...
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