Minggu, 28 Oktober 2012

[G942.Ebook] Ebook Free Economic Growth (MIT Press), by Robert J. Barro, Xavier I. Sala-i-Martin

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Economic Growth (MIT Press), by Robert J. Barro, Xavier I. Sala-i-Martin

Economic Growth (MIT Press), by Robert J. Barro, Xavier I. Sala-i-Martin



Economic Growth (MIT Press), by Robert J. Barro, Xavier I. Sala-i-Martin

Ebook Free Economic Growth (MIT Press), by Robert J. Barro, Xavier I. Sala-i-Martin

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Economic Growth (MIT Press), by Robert J. Barro, Xavier I. Sala-i-Martin

This graduate level text on economic growth surveys neoclassical and more recent growth theories, stressing their empirical implications and the relation of theory to data and evidence. The authors have undertaken a major revision for the long-awaited second edition of this widely used text, the first modern textbook devoted to growth theory. The book has been expanded in many areas and incorporates the latest research. After an introductory discussion of economic growth, the book examines neoclassical growth theories, from Solow-Swan in the 1950s and Cass-Koopmans in the 1960s to more recent refinements; this is followed by a discussion of extensions to the model, with expanded treatment in this edition of heterogenity of households. The book then turns to endogenous growth theory, discussing, among other topics, models of endogenous technological progress (with an expanded discussion in this edition of the role of outside competition in the growth process), technological diffusion, and an endogenous determination of labor supply and population. The authors then explain the essentials of growth accounting and apply this framework to endogenous growth models. The final chapters cover empirical analysis of regions and empirical evidence on economic growth for a broad panel of countries from 1960 to 2000. The updated treatment of cross-country growth regressions for this edition uses the new Summers-Heston data set on world income distribution compiled through 2000.

  • Sales Rank: #521672 in Books
  • Published on: 2003-10-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .88" w x 7.00" l, 2.40 pounds
  • Binding: Hardcover
  • 672 pages

Review

Barro and Sala-i-Martin have done a superb job of synthesizing much of the existing theoretical and empirical research on the mechanisms and determinants of economic growth and convergence. Though it incorporates much new material, this updated version is fully accessible to a third year undergraduate student, while remaining of invaluable use to any research scholar seriously interested in growth and development economics.

(Philippe Aghion, Department of Economics, Harvard University)

This is an invaluable book for a first graduate course in economic growth. The exposition is clear and easy to follow, but also rigorous. It is an excellent stepping stone for research in the field.

(K. Daron Acemoglu, Professor of Economics, MIT)

Barro and Sala-i-Martin provide an outstanding and comprehensive treatment of growth theory and empirics -- an instant classic! I learn something new every time I pull my copy from the shelf.

(Charles I. Jones, Department of Economics, University of California, Berkeley)

Lionel McKenzie's new monograph is a pleasure to read. Only a major contributor to economic theory could teach general equilibrium theory with such clarity and authority. The book is gracefully written and rigorous, and does an elegant job of situating competitive equilibrium theory in the economic and mathematical traditions from which it evolved.

(Robert E. Lucas, Jr., John Dewey Distinguished Service Professor, The University of Chicago, Nobel Laureate in Economic Sciences (1995))

About the Author
Robert J. Barro is Robert C. Waggoner Professor of Economics at Harvard University and a senior fellow of the Hoover Institution at Stanford University.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Very good book on Economic Growth
By Zisos Kyriazis
Very well-written book. It covers all the important topics on Economic Growth and the authors have done great job in explaining in a very precise way all the models.

5 of 6 people found the following review helpful.
Excelent Book
By A. Duarte
This is an excelent book that covers very well "the old and new" Growth Theory". However it is a very hard book and be prepared to use everything you know about math and economics. Perfect book for graduation courses in growth theory. My only suggestion is to include a chapter about the efect of institutions on the economies.

7 of 10 people found the following review helpful.
One of the principal books about the modern economic growth.
By B. H. Cruz
"Economic Growth" by Robert Barro and Xavier Sala-I-Martin is one of the best book about economic growth theory who I've seen. This book together with "Advanced Macroeconomics" by David Romer and "Endogenous Growth Theory" by Philippe Aghion and Peter W. Howitt are the principal books about all the modern economic growth theory. I recommend very much this book. PD. I bought the last book, sorry.

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Selasa, 23 Oktober 2012

[O415.Ebook] Ebook Free A Clockwork Orange, by Anthony Burgess

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A Clockwork Orange, by Anthony Burgess

The�only�American edition of the cult classic novel.

A vicious fifteen-year-old "droog" is the central character of this 1963 classic, whose stark terror was captured in Stanley Kubrick's magnificent film of the same title. In Anthony Burgess's nightmare vision of the future, where criminals take over after dark, the story is told by the central character, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology. A Clockwork Orange is a frightening fable about good and evil, and the meaning of human freedom. When the state undertakes to reform Alex to "redeem" him the novel asks, "At what cost?" This edition includes the controversial last chapter not published in the first edition and Burgess's introduction "A Clockwork Orange Resucked."

  • Sales Rank: #2172217 in Books
  • Published on: 2005-01-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.00" w x .75" l,
  • Binding: Hardcover
  • 185 pages

From Booklist
*Starred Review* It may be a sign of a great work that it can be misinterpreted by detractors and proponents alike. Contemporary readers who saw Burgess’ 1962 dystopian novel as a celebration of youth violence were as far off base as the teens since then who have thrilled to the transgressive violence it—or, at least, Stanley Kubrick’s film adaptation—depicts. But paradox is at the heart of this book, as this newly restored, fiftieth-anniversary edition makes more clear than ever. Narrated by Alex, a teenage dandy who revels in language (he speaks a slang called Nadsat), music (especially Bach and Beethoven), and violence, especially violence. When imprisoned for murder, he is offered a chance at reform and leaps at it—but the reform turns out to be brainwashing, an aversion therapy that, alas, leaves him able to enjoy neither beatings nor Beethoven. Upon his release he becomes first a victim of his victims, then a cause c�l�bre of antigovernment activists before . . . well, publishers offered different endings to British and American audiences, as readers will discover here. What makes A Clockwork Orange so challenging, besides the language (“He looked a malenky bit poogly when he viddied the four of us”), is Burgess’ willingness to use an unsympathetic protagonist to make his point, which is essentially that it may be better to choose evil than to be forced to be good. (For, as it is put by two different characters: “When a man cannot choose he ceases to be a man.”) Readers can revisit or discover a classic that, while drawing from Aldous Huxley’s Brave New World and Graham Greene’s Brighton Rock, has in turn influenced authors from Irvine Welsh to Suzanne Collins. Extras include a thoughtful introduction by editor Andrew Biswell, reproductions of manuscript pages annotated by Burgess, and a previously unpublished chapter of a book that was to have been called The Clockwork Condition, in which Burgess intended to set the record straight about his intentions now that Kubrick’s film adaptation had made him famous. Readers will learn much, including the meaning behind the book’s title. All in all, a fitting publication of a book that remains just as shocking and thought provoking as ever. --Keir Graff

Review
A gruesomely witty cautionary tale Time Every generation should discover this book Time Out Not only about man's violent nature and his capacity to choose between good and evil. It is about the excitements and intoxicating effects of language Daily Telegraph I do not know of any other writer who has done as much with language...a very funny book --William S. Burroughs One of the cleverest and most original writers of his generation The Times

About the Author
Anthony Burgess was born in Manchester in 1917. He studied English at Manchester University and joined the army in 1940 where he spent six years in the Education Corps. After demobilization, he worked first as a college lecturer in Speech and Drama and then as a grammar-school master before becoming an education officer in the Colonial Service, stationed in Malay and Borneo. In 1959 Burgess was diagnosed with an inoperable brain tumour and decided to become a full-time writer. Despite being given less than a year to live, Burgess went on to write at least a book a year - including A Clockwork Orange (1962), M/F (1971), Man of Nazareth (1979), Earthly Powers (1980) and The Kingdom of the Wicked (1985) - and hundreds of book reviews right up until his death. He was also a prolific composer and produced many full-scale works for orchestra and other media during his lifetime. Anthony Burgess died in 1993.

Most helpful customer reviews

4 of 4 people found the following review helpful.
This book was a joy for our group to read
By Amazon Customer
AP LIT SQUAD 2015 -- A Clockwork Orange by Anthony Burgess was an interesting book to read, to say the least. The combination of sex, violence, criminal activity, and teenage drinking makes for an entertaining novel that definitely captures the attention of the reader. Anthony Burgess effectively uses the life of Alex and his droogs, or group of friends, to portray the evil existing in our society, and a failed attempt at reforming the evil out of youth. By incorporating the government into the plot, Burgess writes a thorough, scarily realistic story concerning the evils in our world.

A major aspect of this book was Burgess’s choice to write from Alex’s perspective. Instead of a third-person viewpoint, the author puts us in the criminal’s shoes and lets the reader understand the crime, rape, and thievery from the one leading these delinquencies. This point of view gives the reader a more personal connection to Alex both when he is committing crimes as well as when he is tortured by the treatment. The author also gives us access to Alex’s motives and feelings before, during, and after his jail time and subsequent treatment.

One of the unique characteristics of this book is the constant inclusion of slang – a foreign language spoken by Alex and his gang. Since the book is written from Alex’s perspective, the reader can see how he and his posse communicate in their own semi-foreign language, symbolizing the teenagers’ disconnect from the rest of society. Words such as “droogs,” “moloko,” “horrorshow,” and “viddy” are common language in the book, as this is how Alex and his gang communicate during their criminal actions. Even after his treatment, Alex continues to use this same language, symbolizing the limits of the attempted reformation, as not all of Alex’s past identity could be eradicated.

The controversy regarding this book comes in the conclusion, in which two different versions were published. While the American publishing ended with the twentieth chapter, Burgess intended there to be a twenty-first chapter, as published in the United Kingdom. This controversial twenty-first chapter tells of how Alex is beginning to grow tired of violence, especially when he runs into his old droog Pete who is at this point a married working man. Alex begins to think of a normal life with children of his own, suggesting the possibility of an end to his criminal ways. It is no coincidence that this is Chapter 21, with 21 being an age usually associated with the coming of age and becoming an adult. This final chapter brings into question whether the reforming treatment has a remaining impact on Alex, or if he is beginning to mature, and this character development was inevitable with or without the treatment.

Overall, Anthony Burgess crafted an entertaining, thought-provoking novel in A Clockwork Orange. This book was a joy for our group to read, and its literary merit provides an underlying meaning to the engaging storyline.

2 of 2 people found the following review helpful.
Tough Read because too many "Made up" Words
By Ashley
Was very difficult to navigate through the book since all of the language was created specifically for "Clockwork Orange"....It is literally every other sentence which caused the reading to be very aggravating because I was constantly having to look up (In the Clockwork Orange Dictionary) the meanings...With the "made up" words and British context, It made it very hard to visualize what was actually going on in the book since the author used a different word for face, arms, mouth, boobs, and most everything else. I've heard great things, but was deeply disappointing.

1 of 1 people found the following review helpful.
My Droogie Lies Over The Ocean
By Barbara Moore
As I started reading this book, I felt as if I had made a wrong turn and had found myself in an ethnic neighborhood with which I had no familiarity. I was thinking that perhaps James Joyce had written a sequel to Ullysses under a pseudonym that had come back to haunt me. But as time and words went by I found that I was understanding a language that I had never seen before. I found myself enraged at the the heinous crimes committed by Alex and his droogies, but I also found that I was anxious to find where this would all lead. As I finished A Clockwork Orange, I felt very conflicted by what I had just read. If the book had been written using the King 's English, it certainly would not have been a candidate for the Book of the Month Club. However, as I read the last page, I felt as if I had stopped to eat at an ethic restaurant in this ethnic neighborhood where I ordered my meal from a menu written completely in this bizarre language, but I knew precisely what I wanted to eat.

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Kamis, 18 Oktober 2012

[Z403.Ebook] PDF Download Architectural Graphic Standards for Residential Construction, by American Institute of Architects, Nina M. Giglio

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Architectural Graphic Standards for Residential Construction, by American Institute of Architects, Nina M. Giglio

Architectural Graphic Standards for Residential Construction, by American Institute of Architects, Nina M. Giglio



Architectural Graphic Standards for Residential Construction, by American Institute of Architects, Nina M. Giglio

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Architectural Graphic Standards for Residential Construction, by American Institute of Architects, Nina M. Giglio

Architectural Graphic Standards for Residential Construction 1.0 CD-ROM Network Version provides the complete content of Architectural Graphic Standards for Residential Construction, Second Edition, in an easy-to navigate electronic format. This network version CD-ROM is compatible with Mac and Windows and includes downloadable architectural details and drawings, a visual search feature, a bookmark tool to save and annotate content, and a search engine. This must-have resource is essential for architects and related designers who work with residential structures.

  • Sales Rank: #541678 in Books
  • Published on: 2010-04-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.68" h x 1.32" w x 9.60" l, 4.66 pounds
  • Binding: Hardcover
  • 720 pages

Amazon.com Review
The residential construction market may have its ups and downs, but the need to keep your construction knowledge current never lets up.

Now, with the latest edition of Architectural Graphic Standards for Residential Construction, you can keep your practice at the ready. This edition was expertly redesigned to include all-new material on current technology specific to residential projects for anyone designing, constructing, or modifying a residence. With additional, new content covering sustainable and green designs, sample residential drawings, residential construction code requirements, and contemporary issues in residential construction, it’s a must-have resource. And now it's easier to get the information you need when you need it with references to the relevant building codes built right into the details and illustrations. These new "smart" details go beyond dimensions with references to the International Residential Building Code—presenting all the information you need right at your fingertips. New features and highlights include:

  • Loads of previously unpublished content—over 80% is either new or entirely revised
  • Sustainable/ green design information in every chapter—a must today's practicing building and construction professionals
  • Coverage of contemporary issues in residential construction—aging in place, new urbanism, vacation and small homes, historic residences…it’s all here.
  • Coverage of single- and multi-family dwellings—complete coverage of houses, row homes and quadraplexes as dictated by the International Residential Building Codes.

Amazon-Exclusive: Q&A with Editor-in-Chief Dennis Hall

What is the most challenging or memorable residential project you’ve worked on?
Designing my own home.

Why?
1. Really tough client.
2. No budget.
3. High client expectations
4. Have to live with the results for the last 19 years and think about all the things I would do differently.

Architects design houses, contractors build houses, and owners maintain and live in houses. That is the natural state of things. But when you design, build, and live in the same house, you have a unique perspective and only one person to blame (it is all my wife's fault). And, you learn from mistakes in a profound way (just kidding, Janice dear).

Houses are a lot like marriages. There are happy surprises and disappointing ones, and never enough money or time to do everything you want. In the end, it is not the big issues that determine happiness; it is the details that matter.

Architectural Graphic Standards for Residential Construction is a book about getting the details right. While having Architectural Graphic Standards for Residential Construction in your firm's library won't necessarily improve your marriage, why take that chance? I know I wish I had it 20 years ago.

What’s “new” about the new edition?
The minimum standard of care is compliance with building code. But with thousands of codes and standards, some conflicting with each other, how do you know you have not forgotten something? This new book informs and educates the reader on specific code requirements and how they can be applied.

Remember, our clients pay us because we have knowledge of building design and construction and know how to apply that knowledge to their situation. While no architect promises a perfect set of construction documents, this is often the expectation of the client. The better we are able to convey building information to the client, contractor, and building official, the happier the client will be. Is that not what we all want?

What new content are you excited to see specifically covered in the book?
As a forensic architect, one of the biggest problems we see is the lack of understanding of the design and construction of exterior vertical enclosures. There are three basic types of walls: barrier walls, drainage cavity walls, and pressure-equalized walls. Architectural Graphic Standards for Residential Construction explains how each of these wall types work and the importance of the water-resistive barrier and flashing in drainage cavity and pressure-equalized walls. Architectural Graphic Standards for Residential Construction also provides details with code cites for the design of exterior vertical enclosures of numerous construction materials including masonry, wood, stucco, and others.

Armed with the knowledge of how walls work and the related building code requirements, keeping the water out of your project and having a happy client is easier. It is also far more economical for the home owner, designer, and contractor.

Review
"Now, with the latest edition of Architectural Graphic Standards for Residential Construction, you can keep your practice ready." (ChicagoArchitectureToday.com, June 2010)

From the Back Cover
Must-have resource

Completely updated, Architectural Graphic Standards for Residential Construction, Second Edition is created specifically for professionals working in residential design and construction. This edition includes all-new material on current technology specific to residential projects, provides thousands of standard architectural details and guidelines, and serves as an easy reference for anyone designing, constructing or modifying a residence.

From detailing foundations to designing home theaters, home offices, and other special rooms, Architectural Graphic Standards for Residential Construction, Second Edition is a resource that is as efficient as it is comprehensive. It covers design details that incorporate best construction practices as well as guidelines for key areas, such as state-of-the-art wiring, heating and cooling systems, and green construction. In step with current practices, this new Second Edition:

  • Is completely reorganized and revised, with new content and architectural details
  • Has new, “smarter” details that include International Residential Code (IRC) references, which save professionals time and money
  • Covers sustainable design in each chapter
  • Provides a sample residual project, including drawings, specifications, and sample contracts

An essential guide for today’s fast-paced and competitive building environment, Architectural Graphic Standards for Residential Construction, Second Edition is a critical resource if you are an architect, contractor, engineer, developer, home builder, or other professional involved in residential design and construction.�

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great resource
By T. Scott
I love this book. It is a great resource and I use it regularly when I have a question on residential architecture standards. Others at my office borrow it as well.

0 of 0 people found the following review helpful.
Total satisfaction
By Peter Kampf
It is the best. The quick and concise references in all aspects of construction detailing, calculations and specifications is invaluable. I have been using it for many years. In 2000 I introduced and used the Architectural Graphic Standards and the AGS Interiors in Bhutan while designing a hotel. The AGS belongs in every Architectural office and in various related offices. The completeness of information more than met my expectations.

0 of 0 people found the following review helpful.
Use of the Ramsey Sleeper
By B. Hines
This book has all the information I wanted and needed. I recommend it highly to anyone trying to struggle through a set of drawings. It does seem that it is organized differently than the one I had previously. My old one seemed a little easier to use.

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  • Published on: 2003-01-08
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Therapeutic Recreation Program Design: Principles and Procedures (4th Edition), by Norma J. Stumbo, Carol Ann Peterson

Therapeutic Recreation Program Design uses the most up-to-date information and powerful study tools to help students learn how to synthesize different elements of therapeutic recreation into one cohesive program. The Fourth Edition features comprehensive end-of-chapter materials--including practice tests, discussion questions, and activities--that provide students with an easy, accessible way to study the material. The book has been thoroughly updated to include the latest government/organization regulations, and more client examples have been woven through each chapter to give students practical illustrations of the theories presented in the text.

  • Sales Rank: #997581 in Books
  • Brand: Brand: Benjamin Cummings
  • Published on: 2003-08-11
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.28" h x 1.43" w x 7.78" l, 2.22 pounds
  • Binding: Hardcover
  • 480 pages
Features
  • Used Book in Good Condition

From the Back Cover
This book is written for those preparing for the field of therapeutic recreation and for professionals providing services to clients. The approach focuses on the design, development, and evaluation of therapeutic recreation services. Therapeutic recreation is concerned with direct delivery of services to clients with disabilities, illnesses, or special needs.

This book addresses both areas (process and content) utilizing a comprehensive and integrated approach. This is the only truly comprehensive book in the field; it is considered the bible of therapeutic recreation. This exciting edition represents a total revision that new and past users alike will welcome and appreciate.

For new or experienced theraputic recreation professionals.

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This is a great book. It can be a bit wordy or overwhelming at times but that's really due to the vast amount of material to be learned, and is not specific to this book. It explains the material thoroughly and clearly. I bought it for a specific class but I've kept it well beyond that class because it's a great resource to be able to go back and "refresh" your knowledge.

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Rabu, 10 Oktober 2012

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A History of Greek Mathematics, Volume II: From Aristarchus to Diophantus (Dover Books on Mathematics), by Sir Thomas Heath

"As it is, the book is indispensable; it has, indeed, no serious English rival." — Times Literary Supplement
"Sir Thomas Heath, foremost English historian of the ancient exact sciences in the twentieth century." — Prof. W. H. Stahl
"Indeed, seeing that so much of Greek is mathematics, it is arguable that, if one would understand the Greek genius fully, it would be a good plan to begin with their geometry."
The perspective that enabled Sir Thomas Heath to understand the Greek genius — deep intimacy with languages, literatures, philosophy, and all the sciences — brought him perhaps closer to his beloved subjects, and to their own ideal of educated men than is common or even possible today. Heath read the original texts with a critical, scrupulous eye and brought to this definitive two-volume history the insights of a mathematician communicated with the clarity of classically taught English.
"Of all the manifestations of the Greek genius none is more impressive and even awe-inspiring than that which is revealed by the history of Greek mathematics." Heath records that history with the scholarly comprehension and comprehensiveness that marks this work as obviously classic now as when it first appeared in 1921. The linkage and unity of mathematics and philosophy suggest the outline for the entire history. Heath covers in sequence Greek numerical notation, Pythagorean arithmetic, Thales and Pythagorean geometry, Zeno, Plato, Euclid, Aristarchus, Archimedes, Apollonius, Hipparchus and trigonometry, Ptolemy, Heron, Pappus, Diophantus of Alexandria and the algebra. Interspersed are sections devoted to the history and analysis of famous problems: squaring the circle, angle trisection, duplication of the cube, and an appendix on Archimedes's proof of the subtangent property of a spiral. The coverage is everywhere thorough and judicious; but Heath is not content with plain exposition: It is a defect in the existing histories that, while they state generally the contents of, and the main propositions proved in, the great treatises of Archimedes and Apollonius, they make little attempt to describe the procedure by which the results are obtained. I have therefore taken pains, in the most significant cases, to show the course of the argument in sufficient detail to enable a competent mathematician to grasp the method used and to apply it, if he will, to other similar investigations.
Mathematicians, then, will rejoice to find Heath back in print and accessible after many years. Historians of Greek culture and science can renew acquaintance with a standard reference; readers in general will find, particularly in the energetic discourses on Euclid and Archimedes, exactly what Heath means by impressive and awe-inspiring.

  • Sales Rank: #327319 in Books
  • Brand: Heath, Thomas Little, Sir
  • Published on: 1981-05-01
  • Released on: 1981-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.26" h x 1.06" w x 5.64" l, 1.34 pounds
  • Binding: Paperback
  • 608 pages

About the Author

Thomas Little Heath: Bringing the Past to Life
Thomas Little Heath (1861–1940) was unusual for an authority on many esoteric, and many less esoteric, subjects in the history of mathematics in that he was never a university professor. The son of an English farmer from Lincolnshire, Heath demonstrated his academic gifts at a young age; studied at Trinity College, Cambridge, from 1879 to 1882; came away with numerous awards; and obtained the top grade in the 1884 English Civil Service examination. From that foundation, he went to work in the English Treasury, rose through the ranks, and by 1913, was permanent secretary to the Treasury, effectively the head of its operations. He left that post in 1919 at the end of the first World War, worked several years at the National Debt office, and retired in 1926.

During all of that time, however, he became independently one of the world's leading authorities on the history of mathematics, especially on the history of ancient Greek mathematics. Heath's three-volume edition of Euclid is still the standard, it is generally accepted that it is primarily through Heath's great work on Archimedes that the accomplishments of Archimedes are known as well as they are.

Dover has reprinted these and other books by Heath, preserving over several decades a unique legacy in the history of mathematical scholarship.

In the Author's Own Words:
"The works of Archimedes are without exception, monuments of mathematical exposition; the gradual revelation of the plan of attack, the masterly ordering of the propositions, the stern elimination of everything not immediately relevant to the purpose, the finish of the whole, are so impressive in their perfection as to create a feeling akin to awe in the mind of the reader." — Thomas L. Heath

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7 of 7 people found the following review helpful.
Even more onerous, and important, than volume 1
By Alan U. Kennington
Volume 2 is even more onerous to wade through than Volume 1. I would not recommend reading every word of either of the two volumes. But Volume 2 is right off the scale in mathematical difficulty, both in quality and quantity. Quite often, it is more like a database to be mined by academic historians than a book to be read cover to cover. However, it is of enormous importance, demonstrating even more than volume 1 the depth and dexterity of ancient Greek mathematical thought.

The world must be grateful that a scholar such as Heath has made such Herculean efforts to locate and present the maximum of information about the history of Greek mathematics. Most maths history books gloss over the mathematical nitty-gritty, trying to keep everything as non-technical as possible so as not to scare off the reader. Heath writes as if his subject is important in itself, which it is.

The range of ancient Greek mathematics may seem narrow by modern standards. It is mostly the geometry of lines, circles, ellipses, hyperbolas, parabolas, spirals, cones, cylinders, spheres, and a handful of more adventurous curves, surfaces and solids. The non-integer numerical side of ancient Greek mathematics was mostly expressed in terms of geometry, although in the later, dying centuries of Greek mathematics, Diophantus did develop a purely arithmetical framework free of geometry. Heath makes it quite clear that the later number theory in Greek mathematics was often tedious, repetitive and somewhat shallow compared to what we now call number theory. Heath's exhausting "conspectus" of the "Arithmetica" by Diophantus, on pages 484 to 514, adequately demonstrates this.

Heath assumes that the reader has a good understanding of Euclidean geometry, such as is not available in schools and universities these days. It is nowadays almost a lost craft. It is lucky that Heath was writing at a time when old-style ruler-and-compass Euclidean geometry was still taken seriously as an academic subject. A modern historian would skim over this historical material because of its difficulty and unfamiliarity. Heath also seems to assume that the reader is fluent in Greek, Latin, French and German, because he provides no translations for most text in these languages. Once again, this was usual in his time but is difficult for modern readers. (I do read Latin, French and German, but I had to buy a better dictionary for the Greek.)

My overall impression of ancient Greek mathematicians from this book, especially from Volume 2, is that they were enormously more intelligent than I had ever suspected. Modern mathematicians would have great difficulty reproducing or even comprehending much of ancient Greek geometry. The ancient ingenuity and sophistication were truly impressive. Heath demonstrates this particularly in the case of the three-dimensional geometry of Apollonius and others around his time.

Apart from famous stars such as Archimedes, Apollonius, Ptolemy, Pappus and Diophantus, Heath also gives extensive coverage in Volume 2 of Aristarchus, Nicomedes, Geminus, Nicomachus, Theodosius, Hipparchus, Menelaus and Heron, who also made impressive, and often surprisingly modern, contributions to the progress of mathematics. While reading in this book how much of post-Renaissance mathematics was merely a repeat or continuation of ancient Greek mathematics, I wondered how advanced the world would be now if the Dark Ages had not interrupted the progress of mathematics for more than a thousand years. Heath's descriptions of ancient astronomy and optics in particular made me think that humanity could have reached the Moon 1000 years earlier if Greek mathematics had not been interrupted for so long.

2 of 2 people found the following review helpful.
Proto-algebraic view of geometry
By Viktor Blasjo
In continuation of my review of Volume 1, I shall in this review extract the contents of this volume pertaining to the theme of constructions discussed there.

A main theme in this later era of Greek mathematics is the increasing importance of an essentially algebraic point of view. The theory of conic sections is a case in point.

Menaechmus introduced conic sections for the purpose of using them to double the cube (110), but within only a generation or so systematic treatises were written on conics (116), followed later by the more abstract treatise by Apollonius that has come down to us (126). This was clearly a matter of theory for theory's sake, independently of their function in solving construction problems or any other use.

Altogether the volume of writings the Greeks produced on conics outweigh by a mile the scraps they wrote on any other curves except lines and circles, even though, as we saw in Volume 1, they knew many other curves that were about as useful as conics as far as applications were concerned. The only explanation for this is that conics are curves of degree two: they are algebraically the simplest next step beyond line and circle. In an algebraically oriented mode of mathematics conics will be ubiquitous and eminently treatable.

That this is the reason why they are so prominent in Greek mathematics is seen also by the uses the Greeks made of them. For instance, Archimedes derived the rotational volumes of conics (56), the centers of gravity (78) and areas (85) of parabolic segments, and the hydrostatics of paraboloids (94). There is no need or motivation for any of these results. Rather Archimedes is simply doing it because he can, and he can because they are second-degree curves which makes them susceptible to quasi-algebraic treatment and thus feasible to work with.

Another important and thoroughly algebraic use of conics is for solving cubic equations. Archimedes came upon a problem equivalent to a cubic equation in the context of studying the volumes of sections of spheres (43). He solved it by the intersection of two conic sections (45), as did Dionysodorus (46) and Diocles (47).

Now, as we recall from Volume 1, construction by conics was evidently not held is very high regard, since Menaechmus's use of them to double the cube was followed by a barrage of later methods that used other means. This suggests clearly that when they are used for Archimedes's cubic problem this is very much algebra through and through.

It is in this context, I think, that we must understand Pappus's famous division of problems:

"Those problems which can be solved by means of a straight line and a circumference of a circle may properly be called plane; for the lines by means of which such problems are solved have their origin in a plane. Those, however, which are solved by using for their discovery one or more of the sections of the cone have been called solid; for their construction requires the use of surfaces of solid figures, namely cones. There remains a third kind of problem, that which is called linear; for other lines (curves) besides those mentioned are assumed for the construction, the origin of which is more complicated and less natural, as they are generated from more irregular surfaces and intricate movements." (117)

This division seems the be essentially algebraic in character, since it gives a central place to conics while ignoring the various ruler-tool-based constructions that were evidently preferred for the duplication of the cube. The latter are not constructions by intersections of curves, so they do not fit Pappus's classification scheme. It seems thus that Pappus has allowed increasing algebraic awareness to trump more intuitive means of judging solutions. Why else would he insist only on constructions by intersections of curves, as so many earlier mathematicians doubling the cube evidently did not?

This interpretation also fits with the fact than Pappus's algebraically oriented notion of purity of method clashes with actual usage even by such luminaries as Archimedes and Apollonius:

"It seems to be a grave error into which geometers fall whenever any one discovers the solution of a plane problem by means of conics or linear (higher) curves, or generally solves it by means of a foreign kind, as in the case e.g. with the problem in the fifth Book of the Conics of Apollonius relating to the parabola, and when Archimedes assumes in his work on the spiral a neusis of a 'solid' character with reference to a circle; for it is possible without calling in the aid of anything solid to find the proof of the theorem given by Archimedes." (68)

Despite this last point, Pappus actually does precisely what he says is not needed: he proves the construction using conics instead of the neusis (386). It seems clear that the point of this is to prove that Archimedes's solution is in fact "solid," i.e., to map Archimedes's use of neusis into Pappus's algebraic hierarchy of methods. Rather than postulating that Archimedes was a fool, it seems more reasonable to conclude that Archimedes was working with a pre-algebraic, more intuitive way of judging construction methods than that used by Pappus.

Pappus's remark that Archimedes used "a neusis of a 'solid' character" hints at the fact that some uses of neusis can be reduced to ruler and compass, others not. This can perhaps be seen as another indication of the mismatch between intuitive and algebraic classifications of constructions. Apollonius in fact wrote a lost treatise discussing at some length which instances of neusis are reducible to ruler and compass constructions (189), which was possibly a step toward the more algebraic conception, although it also makes sense within an intuitive framework.

In the interest of full disclosure I must note a few items that do not fit my algebra-oriented interpretation. Perseus studied sections of a torus by analogy with sections of a cone (203), and Dionysodorus found the volume of a torus by analogy with Archimedes's determination of volumes of solids of revolution of conics (219). There were no applications of this. One must admit that here it is the geometrical generation of the conics rather than their algebraic properties that are at the forefront. In a somewhat similar vein, Pappus finds the quadratix by projections of 3D curves: once using a cylindrical helix and once using a cylinder with spiral base (380). This peculiar way of legitimising the quadratrix is in odd contrast with the algebraic modes of thought that were becoming so central, and together with the work of Perseus it seems instead to suggest an odd notion that the conics were somehow legitimated because they were part of a three-dimensional surface.

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I also have vol I - a great book - if you are interested in how the ...
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I also have vol I - a great book - if you are interested in how the ancients thought - there's nothing better than Heath - his commentaries on such works is outstanding - does anyone study these topics anymore? A gem of mathematical thinking, well before our time of calculators etc.

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Selasa, 09 Oktober 2012

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Mass Photography: Collective Histories of Everyday Life (International Library of Visual Culture), by Annebella Pollen

With increasingly accessible camera technology available, crowdsourced collective histories of everyday life, which harness amateur photographers to secure a snapshot of a single day, abound like never before. Mass Photography assesses the potential of these popular moment-in-time projects by examining their historical predecessors. It views for the first time the vast photographic collections resulting from such projects, analysing their structures and systems, their aims and objectives, and their claims and promises, using interviews with an array of the experts & amateurs involved. The central case study is of 55,000 photographs submitted to One Day for Life in 1987, which aimed, in its own time, to be ‘the biggest photographic event the world had ever seen’.

  • Sales Rank: #8617451 in Books
  • Published on: 2016-04-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x 1.10" w x 6.30" l, .0 pounds
  • Binding: Hardcover
  • 288 pages

About the Author
Annebella Pollen is Senior Lecturer in the History of Art and Design and Director of Historical and Critical Studies at the College of Arts and Humanities, University of Brighton. She is co-editor, with Charlotte Nicklas, of Dress History: New Directions on Method and Practice (2015).

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