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We don't usually associate thriving queer culture with rural America, but John Howard's unparalleled history of queer life in the South persuasively debunks the myth that same-sex desires can't find expression outside the big city. In fact, this book shows that the nominally conservative institutions of small-town life—home, church, school, and workplace—were the very sites where queer sexuality flourished. As Howard recounts the life stories of the ordinary and the famous, often in their own words, he also locates the material traces of queer sexuality in the landscape: from the farmhouse to the church social, from sports facilities to roadside rest areas.
Spanning four decades, Men Like That complicates traditional notions of a post-WWII conformist wave in America. Howard argues that the 1950s, for example, were a period of vibrant queer networking in Mississippi, while during the so-called "free love" 1960s homosexuals faced aggressive oppression. When queer sex was linked to racial agitation and when key civil rights leaders were implicated in homosexual acts, authorities cracked down and literally ran the accused out of town.
In addition to firsthand accounts, Men Like That finds representations of homosexuality in regional pulp fiction and artwork, as well as in the number one pop song about a suicidal youth who jumps off the Tallahatchie Bridge. And Howard offers frank, unprecedented assessments of outrageous public scandals: a conservative U.S. congressman caught in the act in Washington, and a white candidate for governor accused of patronizing black transgender sex workers.
The first book-length history of the queer South, Men Like That completely reorients our presuppositions about gay identity and about the dynamics of country life.
- Sales Rank: #551602 in Books
- Brand: Brand: University Of Chicago Press
- Published on: 2001-07
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.20" w x 6.00" l, 1.26 pounds
- Binding: Paperback
- 418 pages
- Used Book in Good Condition
From Publishers Weekly
For three decades, social historians have claimed that for gay people, sexual freedom was only found in cities because rural areas were draconian in their regulation of nontraditional sexual practices. In this groundbreaking and engrossing analysis of gay male life in postwar Mississippi, Howard, a professor of American Studies at the University of York, boldly demonstrates that gay culture and sex not only existed but flourished in small towns and agricultural communities throughout the state. Supporting his challenging argument with a compelling mixture of postmodern theory, reportage, cultural analysis, conjecture and personal anecdote, Howard not only convinces but paints a vivid, complex and often startling portrait of the lives of Southern gay men between 1945 and 1985. While the 55 personal interviews and oral histories--which are alternately funny, poignant, informative and sometimes unsettling--form the emotional backbone of the book, Howard is terrific at explicating obvious homosexual content in popular culture. His reading of the gay themes in Bobbie Gentry's 1967 country hit "Ode to Billy Joe" and of [Frank] Hains's spirited defenses of homosexuality in his popular entertainment column in the Jackson Daily News from 1955 to 1975, and Howard's own interpretation of an infamous murder trial, support his thesis that homosexuality was anything but hidden. Most provocative of all, however, is Howard's innovative analysis of how gay sexual activity and homophobia fueled and shaped white resistance to the black civil rights movement. (Nov.)
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Howard (lecturer, American history, Univ. of York) provides a stirring analysis of gay male life in Mississippi from the end of World War II to the onset of the AIDS crisis. The author reveals that contrary to popular belief, gay culture not only existed but also thrived in the state's small towns and rural areas. Homes, churches, schools, and workplaces saw prospering gay sexuality. Howard's account depicts historical periods of great progress and times of extreme oppression. While the 1950s were years of "queer networking," the days of heady sexuality in the 1960s were a time of hostile oppression. Most controversially, Howard reveals how gay sexual behavior and homophobia prompted white resistance to the Civil Rights movement. Men Like That will confront and challenge readers' thinking about gay life in the South and rural America. Recommended for all gay studies collections.
-Michael A. Lutes, Univ. of Notre Dame Libs., South Bend, IN
Copyright 2000 Reed Business Information, Inc.
From Kirkus Reviews
With a scrupulous eye for detail, Howard traces the evolution of homosexual identities in Mississippi from 1945 to 1985 and, in the process, offers a perceptive look into queer lives away from America's urban centers. Howard (American History/Univ. of York, England) takes a twin approach in his history, recounting and contextualizing the oral histories of queer Mississippians, as well as uncovering queer lives through documents of historical record. Howard's informants provide an insider's view into how gay networks developed and evolved in rural Mississippi, how men found one another despite the manifold dangers of discovery involved. Concluding against the conventional wisdom that the 1950s were a period of sexual repression, Howard explores how queer men of the time carried on a lifestyle pulsating with sexuality, through an analysis of their lives at home, school, church, college, and work. He also argues that for gay men in Mississippi, the 1960s brought about a tightening of sexual codes (in order to combat racial activism), which ended with disastrous results for the many men whose lives and careers were ruined after they were exposed as homosexuals. The stories that Howard uncoversthe murder of a gay interior decorator in 1955, a congressman's sex scandal, and queer rumors in a gubernatorial election among themparade an eclectic cast of characters through the wilds of Mississippi's queer life and the thickets of public opinion. Complementing Howard's historical analysis is his reading of queer representations in the media, including physique art, pulp fiction, and Bobbie Gentry's song ``Ode to Billy Joe.'' With his clear methodology and circumspect analysis, Howard creates a history remarkable in its complexity yet intimate in its portraiture. At long last an intimate and full vision of queer lives in America that did not unfold in San Francisco's discos. (22 b&w photos) -- Copyright �1999, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
0 of 0 people found the following review helpful.
very fine writing and great story telling
By Bruce C. Miller
reread. very fine writing and great story telling.
26 of 27 people found the following review helpful.
Men Like That
By Stan Farwig
A wonderful book, a revolutionary book, a truthfully human book. Make no mistake: this is not a dense sociological-historical work distanced by academic patois one plows through for what insights might be obscured therein, but a scholarly work marked by clean prose and a clean treatment of male-to male sex, employinging the language that most often informs such experiences as they are experienced. John Howard's oral and regional histories, insights and analysis extend in so many directions, opens up so many spaces that extended and opened up this reader's awareness, not the least of which was how mislead conventional concepts of male sexuality have been.
23 of 24 people found the following review helpful.
From a Current Mississippian
By Kenneth Hendricks
I had to write a short review on this book. Seeing as I am a current (and lifelong) gay resident of Mississippi, I was delighted to find a history of the places that I frequented during my youth. The book is titled after a line in the movie "Ode to Billie Joe," which was based on the song of the same name by Bobbie Gentry. I of course, remember this song and how all of us speculated on exactly what was thrown off the Tallahatchie bridge. I have a really special(?) memory of the movie, because it was the first time I ever took a girl on a date, and lo and behold, it was a movie about a gay man in Mississippi. (Did anyone ever ever think that the song or the movie might be about being gay in Mississippi?) Talk about irony. I may be somewhat prejudiced about it but I really believe that this book was written not just as a history of the gay experience in the South, but as a pointed evaluation of what has actually changed regarding homosexual life in Mississippi. There have been a number of books detailing the gay experience in Mississippi lately (Mississippi Sissy is the first one that comes to mind), but this one is a real history of what has happened to gay Mississipians in the last 40-50 years. I especially loved the detailed investigations into the experiences of Jon Hinson and Bill Allain. And I want to thank John Howard for bringing to the fore the modern institutions and expressions of gay life in Mississippi. The majority may hate us, but we're here and we're still queer.
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