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Acting One/Acting Two, by Robert Cohen
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The new, fifth edition of Robert Cohen's Acting One, the text used to teach acting on more campuses than any other, has now been combined for the first time with his Acting Two, (the second edition of his previously-titled Advanced Acting). Together, Acting One/Acting Two provides a comprehensive and fully integrated system of all acting, from the most realistic to the most stylized. Part One (Acting One) covers basic skills such as talking, listening, tactical interplay, physicalizing, building scenes, and making powerful acting choices. Part Two (Acting Two) provides a series of exercises that encourage the student actor's self-extension into radically different styles (historical, literary, fantastical) and characterizations; then coaches the student through scenework in a variety of historical periods (Greek, Commedia, Elizabethan, Moli�re, Restoration, Belle Epoque), as well as modern hyper-realistic theatrical forms such as the theatres of alienation and the absurd, and exemplary recent dramas by Tony Kushner, Margaret Edson, August Wilson and Doug Wright.
- Sales Rank: #618321 in Books
- Published on: 2007-01-17
- Original language: English
- Number of items: 1
- Dimensions: 9.40" h x .98" w x 6.30" l, 1.87 pounds
- Binding: Hardcover
- 552 pages
About the Author
ROBERT COHEN was the founding chair Drama at the University of California at Irvine, where he continues to serve as the department's Claire Trevor Professor of Drama. He has also been a resident acting teacher at the Actors Center in New York, the Shanghai Theatre Academy, the Korean National Arts University, and the national theatre academies of Hungary, Finland, and Estonia. He is an accomplished stage director, scholar, playwright, drama critic, and teacher. A director by training (Doctor of Fine Arts, Yale Drama School), Cohen has staged thirteen professional productions at the Utah and Colorado Shakespeare Festivals, plus well over a hundred productions at Stages Theatre Center (Hollywood), Virginia Museum Theatre (Richmond), Theatre 40 (Beverly Hills), Image Theatre (Boston), Summer Repertory Theatre (Santa Rosa), the Medieval Drama Project (Irvine), the Manhattan Theatre Source, various universities, and several operas, videos and films. In addition to Theatre and Theatre: Brief Edition, he is also the author of many theatre books, including Acting One, Advanced Acting, Acting in Shakespeare, Acting Professionally, Acting Power, More Power to You, Giraudoux: Three Faces of Destiny, Creative Play Direction, and two dramatic anthologies. His essays have appeared in Theatre Journal, Theatre Topics, Theatre Forum, Theatre Survey, Modern Drama, Theater der Zeit, Essays in Theatre, On Stage Studies, The Drama Review, Contemporary Literature, Contemporary Literary Criticism, Slavic and East European Performance, Experiment and Innovation, and Dramatic Theory and Criticism. Cohen's play, The Prince, published by Dramatic Publishing Company, has been professionally produced in Long Beach, Pittsburgh, Budapest, and in staged readings in New York and Los Angeles; his dramatic translations (The Bourgeois Gentleman, The Misanthrope, Clizia, Tibi's Law) and opera translations (The Magic Flute, Carmen) have been both produced and published widely. For the past twenty years, Cohen has been the Southern California drama critic for Plays International, reviewing over two hundred plays. In 1999, he received the national Career Achievement award from ATHE - the Association for Theatre in Higher Education.
Most helpful customer reviews
2 of 2 people found the following review helpful.
fun and easy!
By Joanna Stephanie Medina
Easy to read and even fun! Has quotes from famous actors and actresses from today as well as from long past! Has great exercises that help an actor's progression in the art. The book also explains the reasons behind each exercise in case one is interested in the "whys?" Other than that, it is really an enjoyable read!
1 of 1 people found the following review helpful.
Very good tool for Intro to Acting teachers!
By Kathleen M. Kelly
As a novice Intro to Acting teacher, I borrowed this book from my colleague's shelf to assist me with ideas for class. It has a lot of very good ideas for games and strategies for teaching the tools of acting (ojectives, tactics, etc.)! I also find it has some strategies that I find too abstract as a teacher, and I don't think my students would comprehend and work with well. In the end, I have used this book A LOT to assist me with finding my own strategies and processes for teching beginning actors. A great tool for every acting teacher's library!
1 of 1 people found the following review helpful.
Good Book
By MissionATL
This book did what it was supposed to do - helped my daughter get through an acting class in college.
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